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Yacht Rock
On what made Yacht Rock tick. Also a transcription of Suddenly and why it's better than you think.
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The Horrors of the Half-Diminished
The pesky root-tritone relationship in the half-diminished chord — min 7 (b5) — adds an annoying constraint to voicings options. Often chordal players will omit it entirely, particularly when…
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Greasy Dominant Tricks
Continuing the topic of chords (chords, I love chords!!), it’s time to bask in the power of the dominant nine — whether flatted or raised. The voicings below are…
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Luscious Chord Fatness
In the spirit of the previous post, I thought I’d talk about a few more chord tricks. Here the focus is on creating the biggest sound possible, the type…
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Ferrante Voicings
The great pianist/composer Russell Ferrante (of the Yellowjackets) has a unique brand of chordal harmony. While much of what he plays is as rich and complex as chocolate cake, it could be argued…
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Horace Silver Transcription, “Peace”
Horace Silver made his name working alongside Blakey, Rollins, and countless others. But later he would part ways with be-bop to explore the funkier aspects of jazz. His strong…
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Phineas Newborn Transcription, Sugar Ray
Phineas Newborn was the pianist’s pianist. He died way too young and only recorded a few albums, all of them gems. I spent some time transcribing the “head” to…
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Benny Green Transcription, Cottontail
Benny Green trading choruses with a guitarist on the Ellington rhythm changes “Cottontail” from the Ray Brown CD Seven Steps To Heaven. Note the tempo — a scorching 300…
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Benny Green Transcription, The Song Is You
This is the first chorus of a Benny Green solo on “The Song Is You” from his debut CD Prelude (1989, Criss Cross). The thing that’s impressive about this solo…
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Mulgrew Miller Transcription
RIP Mulgrew. What a loss: http://www.nytimes.com/2013/05/30/arts/music/mulgrew-miller-jazz-pianist-dies-at-57.html Here are three choruses of a Mulgrew Miller piano solo on “If I Should Lose You,” from the album Getting To Know You.…
